Afro Italians: Stories of Resistance, Renaissance, and Community
- Tuesday, November 12, 2024 / 7:00 PM - 9:30 PM (PST)
- Pollock Theater
- Screening Format: 4K digital projection (Il Moro, 22 minutes / Asmarina, 69 minutes)
- With filmmakers Daphne Di Cinto and Medhin Paolos
In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center is pleased to present two short films examining the long and ongoing history of Black African life in Italy.
Daphne Di Cinto’s Il Moro (The Moor) is a short film about the untold story of Alessandro de’ Medici, the first Duke of Florence in 1530 and the first man of African descent to become a head of state in Renaissance Europe. While unveiling a true story from the past, the film aims to speak loudly of the situations that Black Europeans are still experiencing today and to celebrate today’s Afro-European community in the history of the continent. Alan Maglio and Medhin Paolos’ Asmarina is a documentary about the Habesha (Eritrean and Ethiopian) community in Milan. The film bridges the present life of this community to the historical legacies of Italian colonialism in the Horn of Africa, helping us to understand the Habesha not as outsiders or recent arrivals, but rather as involved and invested members of this community.
In this event, filmmakers Daphne Di Cinto and Medhin Paolos will join moderator Stephanie Malia Hom (French & Italian Studies, UCSB) for a virtual post-screening discussion of Il Moro and Asmarina.
This event is free but a reservation is recommended in order to guarantee a seat.
Biographies
Director Daphne Di Cinto
Daphne Di Cinto is a Black Italian screenwriter, director, actor, and producer. She began her film and theatre studies in Rome, where she focused on acting at Scuola di Cinema, while getting her degree in Communication Science at Roma Tre University. She attended the faculty of cinema at Sorbonne University in Paris before moving to New York for her Master in Fine Arts at the Actors Studio Drama School. As an actor, she played the Duchess of Hastings in the Netflix series Bridgerton. Il Moro, her directorial debut, was longlisted for an Oscar in 2024. As a screenwriter, she has developed both features and series within various genres, from comedy to sci-fi, with a keen interest in topics such as historical memory, identity, migrations, and the female gaze. Daphne is the recipient of the Cultured Focus Visionary in Film Award 2022 and the Leader of Change in Creativity Award at the 2023 Black Carpet Awards.
Filmmaker Medhin Paolos
Medhin Paolos is a filmmaker, photographer, musician, and social justice activist. Her work focuses on diaspora, citizenship rights, migration, and queerness. For ten years, Paolos was part of the folk-electronic band Fiamma Fumana, which celebrates the female vocal tradition of the Mondine of Northern Italy. She performed internationally at venues like Melkweg, Womex, and the Kennedy Center in Washington, DC. Paolos is the co-founder of the Milan chapter of Rete G2-Seconde Generazioni, a national organization that promotes the human and civic rights of descendants of immigrants in Italy. In recent years, she has been awarded fellowships at Harvard University, MIT Institute of Technology, and Wellesley College, where she conceptualized “Archives of Justice,” an educational platform for bringing a plurality of voices, histories, and cultures to the forefront through media and artistic interventions. She was a Professor of the Practice at Tufts University before joining the Lewis Center for the Arts at Princeton University in the fall of 2023.
Moderator Stephanie Malia Hom (French & Italian Studies, UCSB)
Stephanie Malia Hom is Professor of Transnational Italian Studies at UC Santa Barbara. She writes and lectures on modern Italy and the Mediterranean, mobility studies, colonialism and imperialism, migration and detention, and tourism history and practice. She is the author of Empire’s Mobius Strip: Historical Echoes in Italy’s Crisis of Migration and Detention (Cornell University Press, 2019) and The Beautiful Country: Tourism and the Impossible State of Destination Italy (University of Toronto Press, 2015). She also co-edited Italian Mobilities (Routledge, 2016) with Ruth Ben-Ghiat.
This event is sponsored by the Carsey-Wolf Center and the Transnational Italian Studies program.
CWC Global
Media are global by nature; they express culture just as much as they transcend borders. The CWC Global series is dedicated to showcasing media from around the world. This series features screenings and events that place UCSB in conversation with international media makers and global contexts across our deeply connected world.